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(Lisbon, 1988) Lives and works in Lisbon, Portugal.
He has a degree in Painting from the Faculty of Fine Arts of the
University of Lisbon since 2012. In the same year, he was the author
of the artistic residency Pé de Cabra: Its Not Basel But It Could Be,
in Lisbon.
As a multidisciplinary artist, he uses in his work several formal
resources and various media, such as video, painting, drawing,
sculpture, among others.
From his individual exhibitions stand out “Molly”, Balcony Gallery,
Lisbon (2024); “Morre Longe”, Appleton Square, Lisbon (2022);
“Triunfante”, Old palace in Rua da Madalena, Lisbon (2019); “Words
Don’t Come Easy”, Balcony Gallery, Lisbon (2018); “O Filho do Carro
Preto”, Bregas, Lisbon (2016); “Entre o Boné e os Ténis”, Graça
Brandão Gallery, Lisbon (2015). Tiago’s work has been included in
collective exhibitions, institutions and galleries such as: “do arquivo
do acervo”, Figueiredo Ribeiro Collection, MIAA – The Iberian
Museum of Archeology and Art, Abrantes (2023); “Dark Safari”,
CACE - State Contemporary Art Collection, Museu do Côa (2023);
“Nella Cohorte di De Chirico”, Colégio das Artes, Coimbra (2021);
“Flora”, Atelier Museu Júlio Pomar, Lisbon (2021); “Trabalho Capital
– ENSAIO SOBRE GESTOS E FRAGMENTOS”, Oliva Art Center, São
João da Madeira (2019); “Do Tirar Polo Natural”, Museu Nacional de
Arte Antiga, Lisbon (2018); “Tawapayera,” curated by Alexandre
Melo, Atelier Museu Júlio Pomar, Lisbon (2017); “THEM OR US!”,
Galeria Municipal do Porto, Porto (2017); “Portugal, Portugueses”,
Afro-Brazil Museum, São Paulo, Brazil (2016).
Currently Tiago Alexandre’s work is represented in numerous public
and private collections.